The Grand Place Districts\u2026<\/em><\/strong><\/h1>\nDistrict A :<\/h2>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/Aux-Trois-Couleurs-134x300.jpg\")
<\/a>Aux-Trois-Couleurs<\/figcaption><\/figure>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/La-Rose-138x300.jpg\")
<\/a>La Rose<\/figcaption><\/figure>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/LArbre-dor-222x300.jpg\")
<\/a>L’Arbre d’Or<\/figcaption><\/figure>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/Le-Cygne-145x300.jpg\")
<\/a>Le Cygne<\/figcaption><\/figure>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/LEtoile-104x300.jpg\")
<\/a>L’Etoile<\/figcaption><\/figure>\n <\/p>\n
<\/p>\n
<\/h6>\nGrand-Place Brussels, <\/strong>Grote Markt Brussels, <\/strong>Brussels Town, Hall <\/strong>Maison du Roi, Brussels <\/strong>UNESCO World Heritage, Brussels <\/strong>History of Grand-Place, <\/strong>Historic Market Brussels\u00a0<\/strong>Guilds on Grand-Place, <\/strong>Baroque architecture in Brussels, <\/strong>Events on Grand-Place Brussels, <\/strong>Grote Markt Brussel, <\/strong>Stadhuis Brussel, <\/strong>Broodhuis Brussel, <\/strong>UNESCO Werelderfgoed, Brussel <\/strong>Geschiedenis van de Grote Markt, <\/strong>Historische Markt Brussel, <\/strong>Gilden op de Grote Markt, <\/strong>Barok architectuur in Brussel, <\/strong>Evenementen op de Grote Markt Brussel, <\/strong>Grand-Place<\/strong> de Bruxelle,s <\/strong>La Grand-Place (Grote Markt), <\/strong>H\u00f4tel de Ville de Bruxelles, <\/strong>Maison du Roi Bruxelles, <\/strong>Patrimoine mondial UNESCO, Bruxelles <\/strong>Histoire de la Grand-Place, <\/strong>March\u00e9 historique de Bruxelles, <\/strong>Guildes sur la Grand-Place, <\/strong>Architecture baroque \u00e0 Bruxelles, <\/strong>\u00c9v\u00e9nements sur la Grand-Place de Bruxelles<\/strong><\/span><\/h6>\n <\/p>\n
— Le Mont Thabor ou Aux Trois Couleurs —<\/strong><\/h3>\nGrand-Place\u00a012<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\n\n- TIMMERMANS<\/strong><\/a>\u2013\u00a01699<\/strong><\/li>\n<\/ol>\n
Pierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nBaroque<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagone (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n
- Emergency inventory of architectural heritage of the Brussels agglomeration (Sint-Lukasarchief 1979)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 30907<\/p>\n
Description<\/strong><\/em><\/p>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/Bruxelles-Grand-Place-Aux-Trois-Couleurs-300x214.jpeg\")
<\/a><\/p>\nLe Mont Thabor.<\/strong><\/p>\nThe designation dates back to the 16th century. In 1699, the house was rebuilt for J.B. Van de Putte by the master carpenter F. Timmermans and the master mason P. de Roy, following the alignment prescribed at No. 11. Views from the 19th century show a plastered facade, the entrance door in the third bay, and the sills without decoration. In 1885-1887, the architect P.-V. Jamaer restored the Gobertange stone gable, the capitals, and the sculpted decoration in Euville and Savonni\u00e8re stones, the blue stone mullions; he renewed the frames and the side dormer; he cemented the main and side facades.<\/p>\n
At the corner of Rue des Chapeliers, a three-story, three-bay house under a perpendicular gabled roof, covered with S-shaped tiles and pierced with dormer windows. Simple Baroque facade under a gable with double inverted consoles. Ground floor of blue stone, bearing at the entablature level, in the central bay, the inscription “AUX TROIS COULEURS” (19th century?). Floors linked by a colossal order of composite pilasters, the two in the center intersected by the projection of the axial bay, which continues into the gable; rectangular windows with mullions. Decorated sills, on the first floor, with a cartouche between baluster panels, on the second floor, with a baluster panel between two garlands. Gable divided into two registers with band decorations by a profiled string course that follows the arch of the axial window; upper part framed by volutes, adorned with vases and garlands, pierced by an oval oculus and topped by a curved dripstone.<\/p>\n
Plastered side facade, on a beveled white stone base, divided into three registers by protruding string courses. Three bays, with the left one pierced with mullioned windows. Three rows of fleur-de-lis anchors. A line of bolt holes under the cornice.<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— La Rose —<\/strong><\/h3>\nGrand-Place<\/strong>\u00a011<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\nUnknown \u2013 1702<\/strong><\/p>\nPierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nBaroque<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagon (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 31128<\/p>\n
Description<\/strong><\/p>\nLa Rose <\/strong>bought in the 14th century by the City to widen access to the Cheese Market via Rue des Chapeliers. In 1452, it belonged to Catherine Van der Rosen. It was rebuilt in 1702 at the behest of J.B. ‘t Serstevens, in the prescribed alignment, after part of the land was expropriated by the City to be incorporated into the public thoroughfare. Its facade was restored in 1885-1887 by P.-V. Jamaer.
\n<\/strong>
\nA simple-bodied house, three levels and three bays under a perpendicular S-tile gable roof. Baroque facade under a gable with inverted consoles, rhythmically arranged by the classical superposition of the three orders of pilasters and by the projecting cornices they support. On the ground floor, Doric pilasters of blue stone; to the left, a door with a curved frame marked by dice and surmounted by a straight dripstone; to the right, a plaque commemorating the founding in 1919 of the National Federation of Veterans of the 1914-1918 War. On the first floor, Ionic pilasters whose bases are linked, on the sill, by a dated cartouche “1702” between two baluster panels.<\/p>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/La-Rose-1-181x300.jpg\")
<\/a>La Rose<\/span><\/figcaption><\/figure>\n <\/p>\n
<\/p>\n
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\n\n\n\n\n\n\n\n\n\n\n\nOn the second floor, composite pilasters and panels adorned with golden swags between their capitals. Rectangular windows with renewed blue stone mullions. Gable in two registers, cornered by volutes and topped with vases; lower part divided by two composite pilasters, pierced by a central window with a curved frame, incorporating base and impost blocks and doubled by a dripstone, and by two arched side windows, topped with a curved dripstone; curved pediment set within the profiled cornice of the entablature.<\/p>\n
<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/p>\n
<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— L\u2019Arbre d\u2019Or ou La Maison des Brasseurs —<\/strong><\/h3>\nGrand-Place<\/strong>\u00a010<\/strong>
\n<\/strong>Rue des Brasseurs<\/strong>\u00a012<\/strong><\/p>\nSee the elevator notice on elevators.heritage.brussels<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\nWillem DE BRUYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01698<\/strong><\/p>\nINCONNU – ONBEKEND<\/strong><\/a>\u00a0\u2013\u00a01861<\/strong><\/p>\nMarc DE VOS<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\nPeter VAN DIEVOET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\nJean-Joseph et Jacques JACQUET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01854<\/strong><\/p>\nAdolphe SAMYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01901<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nNeoclassicism<\/p>\n
Baroque classicizing<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagone (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n
- Emergency inventory of architectural heritage of the Brussels agglomeration (Sint-Lukasarchief 1979)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 31127<\/p>\n
Description<\/strong><\/p>\nLa Maison des Brasseurs was called “De Hille” (the Hill) in the 13th century and later “Den Gulden Boom” (the Golden Tree). In the 15th century, it was acquired by tanners, who sold it to tapestry makers. On an engraving from 1594, it features a stone gable facade bristling with pinnacles. In the early 17th century, it became the property of brewers, who had it rebuilt in 1638. After the bombardment in 1698, it was reconstructed according to the plans of G. De Bruyn, in front of the old alignment; the sculptures were the work of M. De Vos and P. Van Dievoet. A drawing by F.J. De Rons in 1729 shows a ground floor pierced by a curved axial door and topped by a mezzanine, and, between the floors, sills decorated with balusters. A general restoration of the facade was undertaken in 1901 by the architect A. Samyn, who used Euville and Gobertange stones and blue stone.<\/p>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/LArbre-dOr-1-300x246.jpg\")
<\/a>L’Arbre d’Or<\/span><\/figcaption><\/figure>\n <\/p>\n
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<\/p>\n
<\/p>\n
<\/p>\n
A double-bodied house of three levels and three bays, under a perpendicular slate gable roof. The facade is in a classicizing Baroque style, monumental and well-balanced, punctuated by a colossal order of Corinthian half-columns supporting a curved pediment, above a series of engaged Doric columns. Emphasis is placed on the wider central bay, which slightly protrudes from the base to the pediment. The ground floor is crowned by a powerful entablature with a frieze of triglyphs with drops and a dentil cornice; fluted columns above rustic bossages and piers with recesses; rectangular door preceded by stairs and flanked by two tall arched windows over a cellar opening. On the upper floors, columns mounted on tall pedestals; shafts adorned at the base with garlands of hop leaves and wheat ears; rectangular windows with blue stone mullions; separating the levels, sills adorned in bas-relief with scenes from the life of brewers, those on the left and right formerly located on the ground floor. On the frieze of the entablature, the inscription “MAISON DES BRASSEURS” (Brewers’ House). Curved pediment surrounded by a continuous dentil frieze; tympanum embellished with reclining lions, carved on either side of an homage to Charles de Lorraine by the people of Brussels – originally addressed to Maximilian of Bavaria. Above, a crowning niche flanked by inscribed pedestals “ANNO” and “1698” and surmounted by dolphins; at the center, an elevated plinth adorned with acanthus leaves and festoons, carrying an equestrian statue of Charles de Lorraine: bronze cast in 1901 by P. Van Aerschodt based on a model by J. Lagae, replacing a statue by J. Jaquet in 1854, itself renewing that of N. Van Mons in 1752; the original statue by M. De Vos in 1705 depicted Elector Maximilian of Bavaria.<\/p>\n
The interior was modified in 1919 and 1952, but retaining the original timber frame. The basement was converted into a beer museum by the architect J. Hendrickx in 1952.<\/p>\n
Perpendicular to the rear facade, an extension resulting from the gradual incorporation of the inner courtyard and stables and covered, around 1919 it seems, with barrel vaults on double arches.<\/p>\n![\"Grand](\"https:\/\/www.patspapermodels.be\/wp-content\/uploads\/2024\/02\/LArbre-dOr-2-225x300.jpg\")
<\/a>L’Arbre d’Or<\/span><\/figcaption><\/figure>\n <\/p>\n
\u00a0<\/a><\/p>\nRue des Brasseurs n\u00b0 12. Serving as the exit to the Brasseurs Hotel at No. 10, Grand-Place, and built in eclectic style in 1861, the ensemble is plastered, consisting of two parallel wings of four levels and two bays joined to the street, except on the top floor, by a trompe-l’\u0153il facade of three bays.<\/p>\n
On a blue stone base with cellar openings, the ground floor is punctuated by arched windows surrounded by recesses, with keystones and imposts forming a projecting band above the panelled piers. At the mezzanine level, between the same panels, windows with lowered arches with fluted keystones except in the center where the long brackets of a Serlian window descend. On either side of this, windows with straight lintels separated from the lowered ones on the top floor by a rectangular panel, all enclosed in a large arcade. Original grilles and frames. In the entablature, molded panels separated by slender paired brackets of the mutule cornice. Mansard slate roof, interrupted on the street by two dormer windows under a curved pediment.<\/p>\n
<\/p>\n
<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— Le Cygne —<\/strong><\/h3>\n
![\"Grand](\"https:\/\/patspapermodels.be\/wp-content\/uploads\/2024\/02\/Aux-Trois-Couleurs.jpg\")
<\/a><\/a><\/a><\/a><\/a><\/p>\n
<\/p>\n
<\/h6>\nGrand-Place Brussels, <\/strong>Grote Markt Brussels, <\/strong>Brussels Town, Hall <\/strong>Maison du Roi, Brussels <\/strong>UNESCO World Heritage, Brussels <\/strong>History of Grand-Place, <\/strong>Historic Market Brussels\u00a0<\/strong>Guilds on Grand-Place, <\/strong>Baroque architecture in Brussels, <\/strong>Events on Grand-Place Brussels, <\/strong>Grote Markt Brussel, <\/strong>Stadhuis Brussel, <\/strong>Broodhuis Brussel, <\/strong>UNESCO Werelderfgoed, Brussel <\/strong>Geschiedenis van de Grote Markt, <\/strong>Historische Markt Brussel, <\/strong>Gilden op de Grote Markt, <\/strong>Barok architectuur in Brussel, <\/strong>Evenementen op de Grote Markt Brussel, <\/strong>Grand-Place<\/strong> de Bruxelle,s <\/strong>La Grand-Place (Grote Markt), <\/strong>H\u00f4tel de Ville de Bruxelles, <\/strong>Maison du Roi Bruxelles, <\/strong>Patrimoine mondial UNESCO, Bruxelles <\/strong>Histoire de la Grand-Place, <\/strong>March\u00e9 historique de Bruxelles, <\/strong>Guildes sur la Grand-Place, <\/strong>Architecture baroque \u00e0 Bruxelles, <\/strong>\u00c9v\u00e9nements sur la Grand-Place de Bruxelles<\/strong><\/span><\/h6>\n <\/p>\n
— Le Mont Thabor ou Aux Trois Couleurs —<\/strong><\/h3>\nGrand-Place\u00a012<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\n\n- TIMMERMANS<\/strong><\/a>\u2013\u00a01699<\/strong><\/li>\n<\/ol>\n
Pierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nBaroque<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagone (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n
- Emergency inventory of architectural heritage of the Brussels agglomeration (Sint-Lukasarchief 1979)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 30907<\/p>\n
Description<\/strong><\/em><\/p>\n<\/a><\/p>\nLe Mont Thabor.<\/strong><\/p>\nThe designation dates back to the 16th century. In 1699, the house was rebuilt for J.B. Van de Putte by the master carpenter F. Timmermans and the master mason P. de Roy, following the alignment prescribed at No. 11. Views from the 19th century show a plastered facade, the entrance door in the third bay, and the sills without decoration. In 1885-1887, the architect P.-V. Jamaer restored the Gobertange stone gable, the capitals, and the sculpted decoration in Euville and Savonni\u00e8re stones, the blue stone mullions; he renewed the frames and the side dormer; he cemented the main and side facades.<\/p>\n
At the corner of Rue des Chapeliers, a three-story, three-bay house under a perpendicular gabled roof, covered with S-shaped tiles and pierced with dormer windows. Simple Baroque facade under a gable with double inverted consoles. Ground floor of blue stone, bearing at the entablature level, in the central bay, the inscription “AUX TROIS COULEURS” (19th century?). Floors linked by a colossal order of composite pilasters, the two in the center intersected by the projection of the axial bay, which continues into the gable; rectangular windows with mullions. Decorated sills, on the first floor, with a cartouche between baluster panels, on the second floor, with a baluster panel between two garlands. Gable divided into two registers with band decorations by a profiled string course that follows the arch of the axial window; upper part framed by volutes, adorned with vases and garlands, pierced by an oval oculus and topped by a curved dripstone.<\/p>\n
Plastered side facade, on a beveled white stone base, divided into three registers by protruding string courses. Three bays, with the left one pierced with mullioned windows. Three rows of fleur-de-lis anchors. A line of bolt holes under the cornice.<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— La Rose —<\/strong><\/h3>\nGrand-Place<\/strong>\u00a011<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\nUnknown \u2013 1702<\/strong><\/p>\nPierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nBaroque<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagon (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 31128<\/p>\n
Description<\/strong><\/p>\nLa Rose <\/strong>bought in the 14th century by the City to widen access to the Cheese Market via Rue des Chapeliers. In 1452, it belonged to Catherine Van der Rosen. It was rebuilt in 1702 at the behest of J.B. ‘t Serstevens, in the prescribed alignment, after part of the land was expropriated by the City to be incorporated into the public thoroughfare. Its facade was restored in 1885-1887 by P.-V. Jamaer.
\n<\/strong>
\nA simple-bodied house, three levels and three bays under a perpendicular S-tile gable roof. Baroque facade under a gable with inverted consoles, rhythmically arranged by the classical superposition of the three orders of pilasters and by the projecting cornices they support. On the ground floor, Doric pilasters of blue stone; to the left, a door with a curved frame marked by dice and surmounted by a straight dripstone; to the right, a plaque commemorating the founding in 1919 of the National Federation of Veterans of the 1914-1918 War. On the first floor, Ionic pilasters whose bases are linked, on the sill, by a dated cartouche “1702” between two baluster panels.<\/p>\n<\/a>La Rose<\/span><\/figcaption><\/figure>\n <\/p>\n
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<\/p>\n
<\/p>\n
<\/p>\n
\n\n\n\n\n\n\n\n\n\n\n\nOn the second floor, composite pilasters and panels adorned with golden swags between their capitals. Rectangular windows with renewed blue stone mullions. Gable in two registers, cornered by volutes and topped with vases; lower part divided by two composite pilasters, pierced by a central window with a curved frame, incorporating base and impost blocks and doubled by a dripstone, and by two arched side windows, topped with a curved dripstone; curved pediment set within the profiled cornice of the entablature.<\/p>\n
<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/p>\n
<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— L\u2019Arbre d\u2019Or ou La Maison des Brasseurs —<\/strong><\/h3>\nGrand-Place<\/strong>\u00a010<\/strong>
\n<\/strong>Rue des Brasseurs<\/strong>\u00a012<\/strong><\/p>\nSee the elevator notice on elevators.heritage.brussels<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\nWillem DE BRUYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01698<\/strong><\/p>\nINCONNU – ONBEKEND<\/strong><\/a>\u00a0\u2013\u00a01861<\/strong><\/p>\nMarc DE VOS<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\nPeter VAN DIEVOET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\nJean-Joseph et Jacques JACQUET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01854<\/strong><\/p>\nAdolphe SAMYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01901<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nNeoclassicism<\/p>\n
Baroque classicizing<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagone (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n
- Emergency inventory of architectural heritage of the Brussels agglomeration (Sint-Lukasarchief 1979)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 31127<\/p>\n
Description<\/strong><\/p>\nLa Maison des Brasseurs was called “De Hille” (the Hill) in the 13th century and later “Den Gulden Boom” (the Golden Tree). In the 15th century, it was acquired by tanners, who sold it to tapestry makers. On an engraving from 1594, it features a stone gable facade bristling with pinnacles. In the early 17th century, it became the property of brewers, who had it rebuilt in 1638. After the bombardment in 1698, it was reconstructed according to the plans of G. De Bruyn, in front of the old alignment; the sculptures were the work of M. De Vos and P. Van Dievoet. A drawing by F.J. De Rons in 1729 shows a ground floor pierced by a curved axial door and topped by a mezzanine, and, between the floors, sills decorated with balusters. A general restoration of the facade was undertaken in 1901 by the architect A. Samyn, who used Euville and Gobertange stones and blue stone.<\/p>\n<\/a>L’Arbre d’Or<\/span><\/figcaption><\/figure>\n <\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
A double-bodied house of three levels and three bays, under a perpendicular slate gable roof. The facade is in a classicizing Baroque style, monumental and well-balanced, punctuated by a colossal order of Corinthian half-columns supporting a curved pediment, above a series of engaged Doric columns. Emphasis is placed on the wider central bay, which slightly protrudes from the base to the pediment. The ground floor is crowned by a powerful entablature with a frieze of triglyphs with drops and a dentil cornice; fluted columns above rustic bossages and piers with recesses; rectangular door preceded by stairs and flanked by two tall arched windows over a cellar opening. On the upper floors, columns mounted on tall pedestals; shafts adorned at the base with garlands of hop leaves and wheat ears; rectangular windows with blue stone mullions; separating the levels, sills adorned in bas-relief with scenes from the life of brewers, those on the left and right formerly located on the ground floor. On the frieze of the entablature, the inscription “MAISON DES BRASSEURS” (Brewers’ House). Curved pediment surrounded by a continuous dentil frieze; tympanum embellished with reclining lions, carved on either side of an homage to Charles de Lorraine by the people of Brussels – originally addressed to Maximilian of Bavaria. Above, a crowning niche flanked by inscribed pedestals “ANNO” and “1698” and surmounted by dolphins; at the center, an elevated plinth adorned with acanthus leaves and festoons, carrying an equestrian statue of Charles de Lorraine: bronze cast in 1901 by P. Van Aerschodt based on a model by J. Lagae, replacing a statue by J. Jaquet in 1854, itself renewing that of N. Van Mons in 1752; the original statue by M. De Vos in 1705 depicted Elector Maximilian of Bavaria.<\/p>\n
The interior was modified in 1919 and 1952, but retaining the original timber frame. The basement was converted into a beer museum by the architect J. Hendrickx in 1952.<\/p>\n
Perpendicular to the rear facade, an extension resulting from the gradual incorporation of the inner courtyard and stables and covered, around 1919 it seems, with barrel vaults on double arches.<\/p>\n<\/a>L’Arbre d’Or<\/span><\/figcaption><\/figure>\n <\/p>\n
\u00a0<\/a><\/p>\nRue des Brasseurs n\u00b0 12. Serving as the exit to the Brasseurs Hotel at No. 10, Grand-Place, and built in eclectic style in 1861, the ensemble is plastered, consisting of two parallel wings of four levels and two bays joined to the street, except on the top floor, by a trompe-l’\u0153il facade of three bays.<\/p>\n
On a blue stone base with cellar openings, the ground floor is punctuated by arched windows surrounded by recesses, with keystones and imposts forming a projecting band above the panelled piers. At the mezzanine level, between the same panels, windows with lowered arches with fluted keystones except in the center where the long brackets of a Serlian window descend. On either side of this, windows with straight lintels separated from the lowered ones on the top floor by a rectangular panel, all enclosed in a large arcade. Original grilles and frames. In the entablature, molded panels separated by slender paired brackets of the mutule cornice. Mansard slate roof, interrupted on the street by two dormer windows under a curved pediment.<\/p>\n
<\/p>\n
<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— Le Cygne —<\/strong><\/h3>\n
<\/p>\n
— Le Mont Thabor ou Aux Trois Couleurs —<\/strong><\/h3>\nGrand-Place\u00a012<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\n\n- TIMMERMANS<\/strong><\/a>\u2013\u00a01699<\/strong><\/li>\n<\/ol>\n
Pierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nBaroque<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagone (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n
- Emergency inventory of architectural heritage of the Brussels agglomeration (Sint-Lukasarchief 1979)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 30907<\/p>\n
Description<\/strong><\/em><\/p>\n<\/a><\/p>\nLe Mont Thabor.<\/strong><\/p>\nThe designation dates back to the 16th century. In 1699, the house was rebuilt for J.B. Van de Putte by the master carpenter F. Timmermans and the master mason P. de Roy, following the alignment prescribed at No. 11. Views from the 19th century show a plastered facade, the entrance door in the third bay, and the sills without decoration. In 1885-1887, the architect P.-V. Jamaer restored the Gobertange stone gable, the capitals, and the sculpted decoration in Euville and Savonni\u00e8re stones, the blue stone mullions; he renewed the frames and the side dormer; he cemented the main and side facades.<\/p>\n
At the corner of Rue des Chapeliers, a three-story, three-bay house under a perpendicular gabled roof, covered with S-shaped tiles and pierced with dormer windows. Simple Baroque facade under a gable with double inverted consoles. Ground floor of blue stone, bearing at the entablature level, in the central bay, the inscription “AUX TROIS COULEURS” (19th century?). Floors linked by a colossal order of composite pilasters, the two in the center intersected by the projection of the axial bay, which continues into the gable; rectangular windows with mullions. Decorated sills, on the first floor, with a cartouche between baluster panels, on the second floor, with a baluster panel between two garlands. Gable divided into two registers with band decorations by a profiled string course that follows the arch of the axial window; upper part framed by volutes, adorned with vases and garlands, pierced by an oval oculus and topped by a curved dripstone.<\/p>\n
Plastered side facade, on a beveled white stone base, divided into three registers by protruding string courses. Three bays, with the left one pierced with mullioned windows. Three rows of fleur-de-lis anchors. A line of bolt holes under the cornice.<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— La Rose —<\/strong><\/h3>\nGrand-Place<\/strong>\u00a011<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\nUnknown \u2013 1702<\/strong><\/p>\nPierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nBaroque<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagon (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 31128<\/p>\n
Description<\/strong><\/p>\nLa Rose <\/strong>bought in the 14th century by the City to widen access to the Cheese Market via Rue des Chapeliers. In 1452, it belonged to Catherine Van der Rosen. It was rebuilt in 1702 at the behest of J.B. ‘t Serstevens, in the prescribed alignment, after part of the land was expropriated by the City to be incorporated into the public thoroughfare. Its facade was restored in 1885-1887 by P.-V. Jamaer.
\n<\/strong>
\nA simple-bodied house, three levels and three bays under a perpendicular S-tile gable roof. Baroque facade under a gable with inverted consoles, rhythmically arranged by the classical superposition of the three orders of pilasters and by the projecting cornices they support. On the ground floor, Doric pilasters of blue stone; to the left, a door with a curved frame marked by dice and surmounted by a straight dripstone; to the right, a plaque commemorating the founding in 1919 of the National Federation of Veterans of the 1914-1918 War. On the first floor, Ionic pilasters whose bases are linked, on the sill, by a dated cartouche “1702” between two baluster panels.<\/p>\n<\/a>La Rose<\/span><\/figcaption><\/figure>\n <\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
\n\n\n\n\n\n\n\n\n\n\n\nOn the second floor, composite pilasters and panels adorned with golden swags between their capitals. Rectangular windows with renewed blue stone mullions. Gable in two registers, cornered by volutes and topped with vases; lower part divided by two composite pilasters, pierced by a central window with a curved frame, incorporating base and impost blocks and doubled by a dripstone, and by two arched side windows, topped with a curved dripstone; curved pediment set within the profiled cornice of the entablature.<\/p>\n
<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/p>\n
<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— L\u2019Arbre d\u2019Or ou La Maison des Brasseurs —<\/strong><\/h3>\nGrand-Place<\/strong>\u00a010<\/strong>
\n<\/strong>Rue des Brasseurs<\/strong>\u00a012<\/strong><\/p>\nSee the elevator notice on elevators.heritage.brussels<\/strong><\/p>\nTypology(ies)<\/strong><\/em><\/p>\nHouse or rental building<\/p>\n
Stakeholder(s)<\/strong><\/em><\/p>\nWillem DE BRUYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01698<\/strong><\/p>\nINCONNU – ONBEKEND<\/strong><\/a>\u00a0\u2013\u00a01861<\/strong><\/p>\nMarc DE VOS<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\nPeter VAN DIEVOET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\nJean-Joseph et Jacques JACQUET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01854<\/strong><\/p>\nAdolphe SAMYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01901<\/strong><\/p>\nLegal status<\/strong><\/em><\/p>\nListed since April 19, 1977, November 7, 2002<\/p>\n
Styles<\/strong><\/em><\/p>\nNeoclassicism<\/p>\n
Baroque classicizing<\/p>\n
Inventory(ies)<\/strong><\/em><\/p>\n\n- Inventory of the monumental heritage of Belgium. Brussels Pentagone (1989-1993)<\/li>\n
- Continuous updating of the regional inventory of architectural heritage (DPC-DCE)<\/li>\n
- Emergency inventory of architectural heritage of the Brussels agglomeration (Sint-Lukasarchief 1979)<\/li>\n<\/ul>\n
This property presents the following interest(s)<\/strong><\/em><\/p>\n\n- Archaeological<\/li>\n
- Artistic<\/li>\n
- Aesthetic<\/li>\n
- Folkloric<\/li>\n
- Historical<\/li>\n
- Landscape<\/li>\n
- Urbanistic<\/li>\n<\/ul>\n
Research and writing<\/strong><\/em><\/p>\n2016<\/p>\n
id<\/strong><\/em><\/p>\nUrban : 31127<\/p>\n
Description<\/strong><\/p>\nLa Maison des Brasseurs was called “De Hille” (the Hill) in the 13th century and later “Den Gulden Boom” (the Golden Tree). In the 15th century, it was acquired by tanners, who sold it to tapestry makers. On an engraving from 1594, it features a stone gable facade bristling with pinnacles. In the early 17th century, it became the property of brewers, who had it rebuilt in 1638. After the bombardment in 1698, it was reconstructed according to the plans of G. De Bruyn, in front of the old alignment; the sculptures were the work of M. De Vos and P. Van Dievoet. A drawing by F.J. De Rons in 1729 shows a ground floor pierced by a curved axial door and topped by a mezzanine, and, between the floors, sills decorated with balusters. A general restoration of the facade was undertaken in 1901 by the architect A. Samyn, who used Euville and Gobertange stones and blue stone.<\/p>\n<\/a>L’Arbre d’Or<\/span><\/figcaption><\/figure>\n <\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
A double-bodied house of three levels and three bays, under a perpendicular slate gable roof. The facade is in a classicizing Baroque style, monumental and well-balanced, punctuated by a colossal order of Corinthian half-columns supporting a curved pediment, above a series of engaged Doric columns. Emphasis is placed on the wider central bay, which slightly protrudes from the base to the pediment. The ground floor is crowned by a powerful entablature with a frieze of triglyphs with drops and a dentil cornice; fluted columns above rustic bossages and piers with recesses; rectangular door preceded by stairs and flanked by two tall arched windows over a cellar opening. On the upper floors, columns mounted on tall pedestals; shafts adorned at the base with garlands of hop leaves and wheat ears; rectangular windows with blue stone mullions; separating the levels, sills adorned in bas-relief with scenes from the life of brewers, those on the left and right formerly located on the ground floor. On the frieze of the entablature, the inscription “MAISON DES BRASSEURS” (Brewers’ House). Curved pediment surrounded by a continuous dentil frieze; tympanum embellished with reclining lions, carved on either side of an homage to Charles de Lorraine by the people of Brussels – originally addressed to Maximilian of Bavaria. Above, a crowning niche flanked by inscribed pedestals “ANNO” and “1698” and surmounted by dolphins; at the center, an elevated plinth adorned with acanthus leaves and festoons, carrying an equestrian statue of Charles de Lorraine: bronze cast in 1901 by P. Van Aerschodt based on a model by J. Lagae, replacing a statue by J. Jaquet in 1854, itself renewing that of N. Van Mons in 1752; the original statue by M. De Vos in 1705 depicted Elector Maximilian of Bavaria.<\/p>\n
The interior was modified in 1919 and 1952, but retaining the original timber frame. The basement was converted into a beer museum by the architect J. Hendrickx in 1952.<\/p>\n
Perpendicular to the rear facade, an extension resulting from the gradual incorporation of the inner courtyard and stables and covered, around 1919 it seems, with barrel vaults on double arches.<\/p>\n<\/a>L’Arbre d’Or<\/span><\/figcaption><\/figure>\n <\/p>\n
\u00a0<\/a><\/p>\nRue des Brasseurs n\u00b0 12. Serving as the exit to the Brasseurs Hotel at No. 10, Grand-Place, and built in eclectic style in 1861, the ensemble is plastered, consisting of two parallel wings of four levels and two bays joined to the street, except on the top floor, by a trompe-l’\u0153il facade of three bays.<\/p>\n
On a blue stone base with cellar openings, the ground floor is punctuated by arched windows surrounded by recesses, with keystones and imposts forming a projecting band above the panelled piers. At the mezzanine level, between the same panels, windows with lowered arches with fluted keystones except in the center where the long brackets of a Serlian window descend. On either side of this, windows with straight lintels separated from the lowered ones on the top floor by a rectangular panel, all enclosed in a large arcade. Original grilles and frames. In the entablature, molded panels separated by slender paired brackets of the mutule cornice. Mansard slate roof, interrupted on the street by two dormer windows under a curved pediment.<\/p>\n
<\/p>\n
<\/p>\n
Sources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n
— Le Cygne —<\/strong><\/h3>\n
Typology(ies)<\/strong><\/em><\/p>\n House or rental building<\/p>\n Stakeholder(s)<\/strong><\/em><\/p>\n Pierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\n Legal status<\/strong><\/em><\/p>\n Listed since April 19, 1977, November 7, 2002<\/p>\n Styles<\/strong><\/em><\/p>\n Baroque<\/p>\n Inventory(ies)<\/strong><\/em><\/p>\n This property presents the following interest(s)<\/strong><\/em><\/p>\n Research and writing<\/strong><\/em><\/p>\n 2016<\/p>\n id<\/strong><\/em><\/p>\n Urban : 30907<\/p>\n Description<\/strong><\/em><\/p>\n Le Mont Thabor.<\/strong><\/p>\n The designation dates back to the 16th century. In 1699, the house was rebuilt for J.B. Van de Putte by the master carpenter F. Timmermans and the master mason P. de Roy, following the alignment prescribed at No. 11. Views from the 19th century show a plastered facade, the entrance door in the third bay, and the sills without decoration. In 1885-1887, the architect P.-V. Jamaer restored the Gobertange stone gable, the capitals, and the sculpted decoration in Euville and Savonni\u00e8re stones, the blue stone mullions; he renewed the frames and the side dormer; he cemented the main and side facades.<\/p>\n At the corner of Rue des Chapeliers, a three-story, three-bay house under a perpendicular gabled roof, covered with S-shaped tiles and pierced with dormer windows. Simple Baroque facade under a gable with double inverted consoles. Ground floor of blue stone, bearing at the entablature level, in the central bay, the inscription “AUX TROIS COULEURS” (19th century?). Floors linked by a colossal order of composite pilasters, the two in the center intersected by the projection of the axial bay, which continues into the gable; rectangular windows with mullions. Decorated sills, on the first floor, with a cartouche between baluster panels, on the second floor, with a baluster panel between two garlands. Gable divided into two registers with band decorations by a profiled string course that follows the arch of the axial window; upper part framed by volutes, adorned with vases and garlands, pierced by an oval oculus and topped by a curved dripstone.<\/p>\n Plastered side facade, on a beveled white stone base, divided into three registers by protruding string courses. Three bays, with the left one pierced with mullioned windows. Three rows of fleur-de-lis anchors. A line of bolt holes under the cornice.<\/p>\n Sources<\/strong><\/p>\n \u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n Grand-Place<\/strong>\u00a011<\/strong><\/p>\n Typology(ies)<\/strong><\/em><\/p>\n House or rental building<\/p>\n Stakeholder(s)<\/strong><\/em><\/p>\n Unknown \u2013 1702<\/strong><\/p>\n Pierre Victor JAMAER<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01885-1887<\/strong><\/p>\n Legal status<\/strong><\/em><\/p>\n Listed since April 19, 1977, November 7, 2002<\/p>\n Styles<\/strong><\/em><\/p>\n Baroque<\/p>\n Inventory(ies)<\/strong><\/em><\/p>\n This property presents the following interest(s)<\/strong><\/em><\/p>\n Research and writing<\/strong><\/em><\/p>\n 2016<\/p>\n id<\/strong><\/em><\/p>\n Urban : 31128<\/p>\n Description<\/strong><\/p>\n La Rose <\/strong>bought in the 14th century by the City to widen access to the Cheese Market via Rue des Chapeliers. In 1452, it belonged to Catherine Van der Rosen. It was rebuilt in 1702 at the behest of J.B. ‘t Serstevens, in the prescribed alignment, after part of the land was expropriated by the City to be incorporated into the public thoroughfare. Its facade was restored in 1885-1887 by P.-V. Jamaer. <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n On the second floor, composite pilasters and panels adorned with golden swags between their capitals. Rectangular windows with renewed blue stone mullions. Gable in two registers, cornered by volutes and topped with vases; lower part divided by two composite pilasters, pierced by a central window with a curved frame, incorporating base and impost blocks and doubled by a dripstone, and by two arched side windows, topped with a curved dripstone; curved pediment set within the profiled cornice of the entablature.<\/p>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n <\/p>\n Sources<\/strong><\/p>\n \u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n Grand-Place<\/strong>\u00a010<\/strong> See the elevator notice on elevators.heritage.brussels<\/strong><\/p>\n Typology(ies)<\/strong><\/em><\/p>\n House or rental building<\/p>\n Stakeholder(s)<\/strong><\/em><\/p>\n Willem DE BRUYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01698<\/strong><\/p>\n INCONNU – ONBEKEND<\/strong><\/a>\u00a0\u2013\u00a01861<\/strong><\/p>\n Marc DE VOS<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\n Peter VAN DIEVOET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01698<\/strong><\/p>\n Jean-Joseph et Jacques JACQUET<\/strong><\/a> \u2013\u00a0sculptor\u00a0\u2013\u00a01854<\/strong><\/p>\n Adolphe SAMYN<\/strong><\/a> \u2013\u00a0architect \u2013\u00a01901<\/strong><\/p>\n Legal status<\/strong><\/em><\/p>\n Listed since April 19, 1977, November 7, 2002<\/p>\n Styles<\/strong><\/em><\/p>\n Neoclassicism<\/p>\n Baroque classicizing<\/p>\n Inventory(ies)<\/strong><\/em><\/p>\n This property presents the following interest(s)<\/strong><\/em><\/p>\n Research and writing<\/strong><\/em><\/p>\n 2016<\/p>\n id<\/strong><\/em><\/p>\n Urban : 31127<\/p>\n Description<\/strong><\/p>\n La Maison des Brasseurs was called “De Hille” (the Hill) in the 13th century and later “Den Gulden Boom” (the Golden Tree). In the 15th century, it was acquired by tanners, who sold it to tapestry makers. On an engraving from 1594, it features a stone gable facade bristling with pinnacles. In the early 17th century, it became the property of brewers, who had it rebuilt in 1638. After the bombardment in 1698, it was reconstructed according to the plans of G. De Bruyn, in front of the old alignment; the sculptures were the work of M. De Vos and P. Van Dievoet. A drawing by F.J. De Rons in 1729 shows a ground floor pierced by a curved axial door and topped by a mezzanine, and, between the floors, sills decorated with balusters. A general restoration of the facade was undertaken in 1901 by the architect A. Samyn, who used Euville and Gobertange stones and blue stone.<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n A double-bodied house of three levels and three bays, under a perpendicular slate gable roof. The facade is in a classicizing Baroque style, monumental and well-balanced, punctuated by a colossal order of Corinthian half-columns supporting a curved pediment, above a series of engaged Doric columns. Emphasis is placed on the wider central bay, which slightly protrudes from the base to the pediment. The ground floor is crowned by a powerful entablature with a frieze of triglyphs with drops and a dentil cornice; fluted columns above rustic bossages and piers with recesses; rectangular door preceded by stairs and flanked by two tall arched windows over a cellar opening. On the upper floors, columns mounted on tall pedestals; shafts adorned at the base with garlands of hop leaves and wheat ears; rectangular windows with blue stone mullions; separating the levels, sills adorned in bas-relief with scenes from the life of brewers, those on the left and right formerly located on the ground floor. On the frieze of the entablature, the inscription “MAISON DES BRASSEURS” (Brewers’ House). Curved pediment surrounded by a continuous dentil frieze; tympanum embellished with reclining lions, carved on either side of an homage to Charles de Lorraine by the people of Brussels – originally addressed to Maximilian of Bavaria. Above, a crowning niche flanked by inscribed pedestals “ANNO” and “1698” and surmounted by dolphins; at the center, an elevated plinth adorned with acanthus leaves and festoons, carrying an equestrian statue of Charles de Lorraine: bronze cast in 1901 by P. Van Aerschodt based on a model by J. Lagae, replacing a statue by J. Jaquet in 1854, itself renewing that of N. Van Mons in 1752; the original statue by M. De Vos in 1705 depicted Elector Maximilian of Bavaria.<\/p>\n The interior was modified in 1919 and 1952, but retaining the original timber frame. The basement was converted into a beer museum by the architect J. Hendrickx in 1952.<\/p>\n Perpendicular to the rear facade, an extension resulting from the gradual incorporation of the inner courtyard and stables and covered, around 1919 it seems, with barrel vaults on double arches.<\/p>\n <\/p>\n \u00a0<\/a><\/p>\n Rue des Brasseurs n\u00b0 12. Serving as the exit to the Brasseurs Hotel at No. 10, Grand-Place, and built in eclectic style in 1861, the ensemble is plastered, consisting of two parallel wings of four levels and two bays joined to the street, except on the top floor, by a trompe-l’\u0153il facade of three bays.<\/p>\n On a blue stone base with cellar openings, the ground floor is punctuated by arched windows surrounded by recesses, with keystones and imposts forming a projecting band above the panelled piers. At the mezzanine level, between the same panels, windows with lowered arches with fluted keystones except in the center where the long brackets of a Serlian window descend. On either side of this, windows with straight lintels separated from the lowered ones on the top floor by a rectangular panel, all enclosed in a large arcade. Original grilles and frames. In the entablature, molded panels separated by slender paired brackets of the mutule cornice. Mansard slate roof, interrupted on the street by two dormer windows under a curved pediment.<\/p>\n <\/p>\n <\/p>\n Sources<\/strong><\/p>\n \u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n\n
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<\/a><\/p>\n— La Rose —<\/strong><\/h3>\n
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\nA simple-bodied house, three levels and three bays under a perpendicular S-tile gable roof. Baroque facade under a gable with inverted consoles, rhythmically arranged by the classical superposition of the three orders of pilasters and by the projecting cornices they support. On the ground floor, Doric pilasters of blue stone; to the left, a door with a curved frame marked by dice and surmounted by a straight dripstone; to the right, a plaque commemorating the founding in 1919 of the National Federation of Veterans of the 1914-1918 War. On the first floor, Ionic pilasters whose bases are linked, on the sill, by a dated cartouche “1702” between two baluster panels.<\/p>\n<\/a>— L\u2019Arbre d\u2019Or ou La Maison des Brasseurs —<\/strong><\/h3>\n
\n<\/strong>Rue des Brasseurs<\/strong>\u00a012<\/strong><\/p>\n\n
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<\/a><\/a>— Le Cygne —<\/strong><\/h3>\n
![\u00a0<\/a><\/p>\nRue des Brasseurs n\u00b0 12. Serving as the exit to the Brasseurs Hotel at No. 10, Grand-Place, and built in eclectic style in 1861, the ensemble is plastered, consisting of two parallel wings of four levels and two bays joined to the street, except on the top floor, by a trompe-l’\u0153il facade of three bays.<\/p>\nOn a blue stone base with cellar openings, the ground floor is punctuated by arched windows surrounded by recesses, with keystones and imposts forming a projecting band above the panelled piers. At the mezzanine level, between the same panels, windows with lowered arches with fluted keystones except in the center where the long brackets of a Serlian window descend. On either side of this, windows with straight lintels separated from the lowered ones on the top floor by a rectangular panel, all enclosed in a large arcade. Original grilles and frames. In the entablature, molded panels separated by slender paired brackets of the mutule cornice. Mansard slate roof, interrupted on the street by two dormer windows under a curved pediment.<\/p>\n <\/p>\n <\/p>\nSources<\/strong><\/p>\n\u00ab\u00a0INVENTAIRE DU PATRIMOINE ARCHITECTURAL<\/a>\u00a0\u00bb<\/p>\n <\/p>\n— Le Cygne —<\/strong><\/h3>\n](\"https:\/\/monument.heritage.brussels\/medias\/buildings\/10002016_0012_P01.JPG\"){kind=link}